03 April 2014

Frozen Rewritten I

So far, all I've done is rag on Frozen and it's faults. To prove I'm not a complete cloud of criticism, I decided to take it upon myself to rewrite Frozen into something I liked, which I know is pretty pretentious, but... yeah. Here's what I hope to accomplish:
  1. Because it's a movie about a relationship between sisters, I want to make both sisters equally important.
  2. Make the trolls non-retarded and aggravating.
  3. Reduce the amount of side characters.
  4. Reduce the amount of physical locations.
  5. Hopefully, eliminate any convenient plot devices.
Note: Text that are in brackets and italicized are my form of stage directions/things that don't translate well into text. It's a mixture of traditional writing, screenplay, and laziness. Mainly laziness. 
Without further ado, Frozen Rewritten.

A thick layer of snow blanketed the land, stretching all the way from the tip of the North Mountain to Arrendale, which lay nestled in the fjord just beyond the base of the mountain. The snow, however, did little to deter the trolls. The resilient grey creatures, reminiscent of boulders, had a task to do and nothing would stop them. Forming a circle, they began to chant [Vuelie ft. Cantus]. Ever so slowly, the world began to wake to the music. Snow gave way to grass, and the oceans and rivers came to life once more. Animals emerged from their long months of hibernation, birds returned from their migration from the south, and the flowers burst into bloom like tiny fireworks. Spring came with the song of the trolls.
Arrendale was no exception. People threw open shutters that had been locked tight, basking in the sunlight. The streets that were once empty became filled with merriment and joy [The people of Arrendale sing a song that will replace Frozen Heart. Camera pans through Arrendale, eventually going to the castle and the two sisters].

Elsa sat in her room at her candlelit desk, book in hand. A History of the Kingdom of Arrendale, Vol IIIShe was reading about the first exploration up the North Mountain, led by her great-great grandfather when there was a knock at the door.

"Come in," she called out, her eyes never leaving the pages. A few seconds later, she was tackled by her younger sister, Anna, who knocked the book out of her hands playfully.

"Come on, Elsa! It's Spring! Let's go build a snowman!" Anna cried out.

"You can't build a snowman in Spring, silly. All the snow's melted. You had all winter to build a snowman." Elsa picked up the book and dusted it off. She had lost her page.

"But it's too cold in winter! Besides, you can make snowmen whenever you want. Dozens of 'em." Anna replied, resolute. She was not leaving the room without her sister.

"Let me finish my book first."

Anna marched over to the window and threw open the drapes. Elsa had to admit--the day looked gorgeous.

Elsa sighed and smiled. Anna had won. "Alright, lets go build a snowman."

The two girls ran outside to the castle courtyard, which was still empty. Most of the servants were inside, clearing out the dust that had accumulated.

"Do the magic!" cried Anna.

Elsa released a snowflake into the air, where it hovered for a second before shattering into a million pieces, causing it to snow. The two girls set off to build a snowman with vigor. After an hour of work, Anna grew bored, leaving the snowman half finished.

"Catch me!" Anna shouted, hurling herself at a snowdrift. She began to hop from one to another as Elsa desperately tried to keep her sister from falling.

"Slow down!" Elsa cried, but Anna was having too much fun. Elsa slipped, and in desperation, accidentally struck her sister in the head with her magic. "Anna, are you alright? Anna, wake up! Mama! Papa!" 

There is nothing that moves faster than a panicked parent. The King and Queen were at Elsa's side in a flash. The King quickly surveyed the situation. "Oh Elsa, what have you done?"

The Queen cradled Anna in her arms. "She's as cold as ice!"

"I know where we have to go. To the stables. Quickly!" [The four set off for the foot of the North Mountain, where the trolls live. Their village is set in a circle surrounding a lit bonfire. There, the trolls greet them, in a manner befitting the King.]

The village elder gave the King a bow. "Your majesty. What brings you to our village tonight?"
"It's my daughter. She needs your help."

"Let me see." The troll relieved the Queen of Anna. "Yes, yes. It looks like she has been struck in the head with magic. Am I correct?" Elsa nodded.

The troll continued. "The head is easily persuaded. I recommend removing all magic--even memories of magic--for her own protection, of course. While the magic is harmless in itself for now, it could easily become very dangerous. Your sister would remain safer if she did not know until you learn to master your powers." 

[The King agrees, etc. Cut back to the castle. There, we begin Do You Want to Build a Snowman, except slightly modified. Instead of fooling around being scared, the sisters are actually going to develop personalities. First off, when the sisters are young, Anna will be playing outside the door, begging Elsa to come out. Elsa will be inside, reading. Setting her up to be an intellectual and all that. When they hit ~10 years, they begin to take lessons from a tutor. The same tutor, but two different sessions. Anna is constantly trying to runaway and/or prank the teacher, while Elsa switches between gazing off into the distance, worrying about her powers, and getting the answers all right without even trying. For the funeral, Anna is the one that stands with the congregation. But once the ceremony is over and everyone has left, Anna turns around and sees Elsa alone at the grave of their parents, laying a flower at each of the tombstones. At this point, the relationship between the sisters is pretty much dead. Hopefully, we'll build it up again throughout the course of the movie.]

[3 years later, it's Coronation day! Anna sings For the First Time in Forever. She meets Hans, and they have their little moment together. Foreign dignitaries pour into the castle, including a convoy from the trolls.]

Elsa stood before the portrait of her father, her hands trembling. She hadn't mastered her magic. Not completely. There were still times where it got away from her, and with disastrous results. A thin layer of frost covered the surface of the scepter as soon as she tried to pick it up. She hastily put her gloves back on. Conceal, don't feel. Don't let it show. It was time for the ceremony. 

The bishop took his place at the podium, and out of the corner of her eye, Elsa spotted Anna, who was distracted, as usual. Elsa could feel the gaze of the crowd on her back. Soon she would have to face them. The bishop finished his recitation after what felt like an eternity. Elsa reached for the scepter and ornament, but the bishop cleared his throat. 

"The gloves, your majesty."

Of course, the gloves. Elsa took them off and laid them to the side. Her heart was pounding. She took a deep breath, held it, picked up the objects and turned to face the crowd. It was her turn to recite. 
"Lorem ipsum dolor sit amet, consectetur adipiscing amet--" her mind went blank. All the time spent studying the texts, all the time spent memorizing each and every painstaking word of the Vow, and her memory failed her when she needed it most. The eyes of the crowd bore into her, staring straight through her guise as if they knew her secret. 

"Lorem ipsum dolor sit amet, consectetur adipiscing amet--" she tried again, but to no avail. Her heart began to race. She could feel the frost creeping up ever so slowly. "adipiscing amet..." 

"Elsa? Are you alright?" Anna asked anxiously. 

Elsa, startled out of her trance, dropped the ornament. Brittle from the cold, it shattered on the floor. A collective gasp came from the crowd. Anna stared at her sister, confused.

"Elsa, what's going on?" 

"Anna, I--" Time seemed to freeze for Elsa [Get it?]. She could hear the murmurs and whispers from the crowd growing louder.

"Sorcery!" A voice shouted. 

Elsa turned tail and began to run. Her footsteps left a trail of ice wherever she touched the ground. She made a beeline for the familiarity of her room and locked the door behind her. However, her panic did not subside. The walls of the room were quickly encased in a layer of ice, slowly expanding outside the room. There was a sharp knock on the door. 

"Elsa! What's going on? Are you alright in there? Let me in, please!" Anna begged. 

Elsa sat curled on her bed. She opened her mouth, but the words wouldn't come. She buried her head in her arms. 
A servant touched Anna on the arm. "Princess Anna, we're evacuating the castle. It's not safe here."

"What? Who gave that order? I'm not leaving my sister. She needs me."

"Princess Anna! Please!" 

[Hans comes and leads Anna away, despite her protests. The castle is evacuated and encased in crystalline ice. The convoy of trolls form a circle around the castle, and begin to work their own magic, chanting softly. They create a bubble, confining Elsa's magic inside. A light snowfall begins, so it looks like a giant snow globe with a castle. END ACT I]

This took a lot longer than I expected... it's a mixture of expanding a synopsis I wrote and condensing a movie. As far as differences go, Act I isn't that different from the movie. Act II and III, however, will stray further from the original material. 

02 April 2014

Music of Frozen

Frozen is the movie that got me addicted to vivisecting movies to see what went wrong. Before that, I was a simple story junkie, looking for the next movie good enough to get me on a high. The medium didn’t really matter–movies, books, even video games if they were inspired enough. But then came Frozen, which felt like second rate cocaine cut with sugar. It had all the elements of a standard, feel good movie–a strong, independent heroine, a relationship that went beyond Eros love, and most of all, singing. However, the movie didn’t sit right with me, and it took the second and third rerun to see why.
I’ll quickly run through my main gripe with music because it’s 3:30 AM and I have a Stats test tomorrow. The music was great. Pretty catchy, pretty awesome. However, I felt like the plot didn’t really build off of the songs at all.
  1. Vuelie (ft. Cantus)[1] Oh man, I LOVE this song. It’s got this awesome ambient tribal vibe going on. I was pretty disappointed when it was used a grand total of two times.
  2. Frozen Heart[2] As far as I understand, this song didn’t add much to the film. The men that sing this song don’t play an important role in the film. I don’t think they ever reappear?
  3. Do You Want to Build a Snowman?[3] This is the song that makes most people go aww ;) To me, it’s the song that sets up the relationship. And to me, it seems that these sisters are really not that close to each other at all. Like I said before, the montage didn’t really make me care about the relationship. To see a montage done right, watch Up by Pixar. Also, they never build a snowman together. Seriously. What the heck, Elsa.
  4. Love is an Open Door[4] Prepare to be misdirected! I feel like this song was only included to attempt to throw off the audience about the true meaning of the meaning of the story, if you get my meaning. Meaning that the director wants you to think the movie is about Eros love when it’s really about Agape/Philia love.
  5. Let it Go[5] Ah, the big one, the bread winner! First of all, I love this song. Idina Menzel deserves every accolade she will receive. However, does it really fit the film? It’s a coming of age/character development song–the only problem is that her character doesn’t develop at all after singing this song. Elsa sings about stuff like I don’t care/what they’re going to say and The fears that once controlled me/can’t get to me at all. But… almost nothing in that song is true about her as a character at that point! Elsa remains a static character up until the end. So while the song was great, it made me feel slightly… out of sync with the movie.
  6. In Summer[6] Am I missing something, or is this song completely unrelated to the movie? It doesn’t advance the plot, it doesn’t reinforce any themes, the only thing it does is somewhat establish a comedic relief that literally wandered in halfway through the film.
  7. For the First Time in Forever (Reprise)[7] Again, I LOVE Idina Menzel’s part in this song. This song undermined everything Let it Go tried to establish. Also, it made me support their relationship even less, although I suppose that can vary from person to person. For one thing, I was slightly upset by their lack of ability to talk through the problem like royalty.
  8. Fixer Upper[8] I fucking hate this song. It’s like watching retards sing about love while a woman dies of internal hemorrhage. Also, misdirection song #2.
Welp. Maybe more tomorrow/later today. Disagree?

Life at State

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At the beginning of my Freshman year, I was very concerned about making friends and having an active social life. Nowadays, not so much. It is very disheartening to think that in a school with nearly 40,000 undergraduates, I have not one person that I can truly relate to. Somebody who likes to ride bikes because walking is too slow. Somebody who really gets into what made a movie terrible. Somebody who lived overseas for most of their lives, doesn't like it when strangers try to make small talk, and likes to write.
The saddest thing is that there is probably somebody like that at this school. The problem is that we both enjoy staying within the confines of our dorms too much, meaning that we will never meet. And not having met, I have nobody to talk to, and the thoughts bounce around inside my head, begging to be spoken. If only somebody would listen and not get turned off by my cloud of criticism and negativity... 
And so, the creation of this blog. Words that will be spoken, but not necessarily heard.